Bridging Ideologies in Nadav Kander’s Yangtze

Nadav Kander, Yangtze, 2010 In Nadav Kander’s photographic series ‘Yangtze, The Long River’, depicting China’s largest and culturally most important river, bridges are a re-occurring theme. In above photograph the huge but yet unfinished structure of a bridge represents China’s economic emergence. The two sides of the bridge also signifies two ideologies, communist and capitalist,…