Tetsuya Higashikawa’s Nocturnal Landscapes

Tetsuya Higashikawa, New Moon, 2011 More than two years have passed since 3.11 – the most commonly used term to describe Japan’s zero hour in March 2011. The media has had an important role to play in the aftermath of the tsunami and earthquake. Photography too was essential in ‘exposing’ the depth and scope of…

Representing the Disaster through Symbols and Metaphors

In my last blog post I analyzed the photographs of Keiko Sasaoka who continues to photograph those areas affected by Japan’s triple disaster of March 2011. As part of my ongoing research on the photographic representation of post-tsunami landscapes – or the photographic representation of 3.11 in short – I want to look at artists…

Remembrance in Keiko Sasaoka’s photographs

Keiko Sasaoka, Remembrance 3.11 The photographer Keiko Sasaoka belongs to a select group of artists who tackle the representation of landscapes effected by the massive earthquake and ensuing tsunami that hit Japan in March 2011. In many of her images, such as the one above, the effects of the disaster are depicted with subtlety and…