Voyeurism and Appropriation in Kohei Yoshiyuki’s ‘The Park’
Kohei Yoshiyuki, The Park, 1971-1979 In the early 1970’s, while walking with a friend through a park in Tokyo, photographer Kohei Yoshiyuki noticed that young couples used the park as a space for intimate encounters in the belief that they are protected by the darkness of the night. Equipped with a small camera and Kodak’s…