Selected Publications by Marco Bohr

Chapters in Edited Volumes

2015 ‘Capital Flow and the Representation of Space in Breaking Bad‘. In: Will Gray (ed.), The Interior Landscapes of Breaking Bad. London: Continuum.

2015 ‘Iconoclasm, Antagonism and Protest in the films of William Klein’ In: John Berra (ed.), Directory of World Cinema: American Independent Vol. 3. London: Intellect.

2014 ‘Jun Ichikawa: Cinema of Solitude’ In: John Berra (ed.), Directory of World Cinema: Japan Vol. 3. London: Intellect.

2014 ‘Cinema of Emancipation and Zacharias Kunuk’s Atanarjuat – The Fast Runner’ In: Scott MacKenzie and Anna Stenport (eds), Films on Ice. Edinburgh: Edinburgh University Press.

2013 ‘Appropriation and Voyeurism in Self-Published Photobooks’ In: Emmanuelle Waeckerle (ed.), Booklive!. London: RGAP (Research Group for Artists Publications).

2013 ‘The Collapse of Ideology in Peter Kahane’s The Architects‘. In: Raita Merivirta, Heta Mulari, Kimmo Ahonen and Rami Mahka (eds), Frontiers of Screen History: Imagining European Borders in Cinema, 1945–2010. London: Intellect.

2013 ‘Deconstructing Gender Identity and Non-Perfection in the Photographs of Yurie Nagashima’. In: Jo Longhurst (ed.), On Perfection: An Artists’ Symposium. London: Intellect.

2012 ‘Photography and Metaphors’. In: James Elkins, Kristi McGuire, Maureen Burns, Alicia Chester, Joel Kuennen (eds), The Contemporary Visual Studies Reader. London: Routledge.

2012 ‘Looking at Kim Jong Il Looking at Things’. In: Kim Jong Il Looking at Things. Paris: Jean Boîte Éditions.

2012 ‘Cultural Crossover: Japanese Cinema and Photography’. In: John Berra (ed.), Directory of World Cinema: Japan Vol. 2. London: Intellect.

Magazine Articles

2014 ‘Takashi Arai: Here and There – Too Far, Too Close to Fukushima’. Source Photographic Review. Issue 80.

2014 ‘Fashioning the Rise of a New Economic Order’. FOAM Magazine, Talent Issue, No. 39.

2014 ‘Representing the Death of Neoliberalism’. FOAM Magazine, Talent Issue, No. 39.

2013 ‘Untitled by Ron Haviv’. Photoworks Annual, Issue 20.

Journal Articles

2011 ‘Are-Bure-Boke: Distortions in late 1960s Japanese Cinema and Photography’. Dandelion, London, Vol. 2, No. 2.

Exhibition Catalogue Texts

2014 ‘Mishka Henner on the Boundaries of Photography’. In: The Hierarchy of Images. Bolzano: FotoForum.

2012 ‘Foreword’. In: Rachel Cunningham exhibition catalogue. Jerusalem: Naggar School of Photography, Media and New Music.

2012 ‘Foreword’. In: Voice of the Grain. London: University of Westminster Masters of Photography Studies degree show catalogue.

2011 ‘Photography and the Dear Leader’. In: Pascale Giffard (ed.), From Here On … Arles: Rencontres d’Arles.

2011 ‘The Many Bodies of Yurie Nagashima’. In: Elizabeth Johnson (ed.), Modernity Stripped Bare: Undressing the Nude in Contemporary Japanese Photography. The Art Gallery of the University of Maryland.

Short Book and Film Analyses

2014 ‘Yurie Nagashima’. In: Matthew Carson, Russet Lederman and Olga Yatskevich (eds), 10×10 Japanese Photobooks. New York: 10×10 Photobooks and bookdummypress.

2014 ‘Walkabout’. In: Ben Goldsmiths, Geoff Lealand (eds), Directory of World Cinema: Australia and New Zealand Vol. 2. London: Intellect.

2014 ‘Nordkurve’. In: Michelle Langford (ed.), Directory of World Cinema: Germany Vol. 2. London: Intellect.

2014 ‘Field of Dreams’. In: Marcelline Block (ed.), World Film Locations: Boston. London: Intellect.

2014 ‘The Painted Veil’. In: John Berra (ed.), World Film Locations: Shanghai. London: Intellect.

2013 ‘Konkurs’. In: Marcelline Block (ed.), World Film Locations: Prague. London: Intellect.

2013 ‘Of Time and the City.’ In: Jez Connolly (ed.), World Film Locations: Liverpool. London: Intellect.

2012 ‘Prinzessinnenbad.’ In: Susan Ingram (ed.), World Film Locations: Berlin. London: Intellect.

2012 ‘Koyaanisqatsi’. In: Marcelline Block (ed.), World Film Locations: Las Vegas. London: Intellect.

2012 ‘Inception’. In: Marcelline Block (ed.), World Film Locations: Paris. London: Intellect.

Online Publications

2014.10 ‘Issei Suda’s Theater of the Everyday’ (essay), TIME Lightbox Blog.

2014.05 Exhibition review of Apichatpong Weerasethakul at Anthony Reynolds, London, Photomonitor.

2014.05 Exhibition review of ‘Present Perfect? – Contemporary Photography from Iran’ at QUAD Gallery, Derby, Photomonitor.

2014.02 Book review of ‘Empire’ by Jon Tonks, Photomonitor.

2014.02 Book review of ‘Conflict Resolution’ by Louis Porter, Photomonitor.

2013.08 Book review of ‘Precious’ by Jane Hilton, Photomonitor.

2013.07 Book review of ‘Photo Album’ by Chino Otsuka, Photomonitor.

2013.05 ‘Dreamscapes: The Fantastical Photographs of Lieko Shiga’ (essay), TIME Lightbox Blog.

2013.04 Exhibition review of Simone Kappeler at Douglas Hyde Gallery, Dublin, Photomonitor.

2013.04 ‘David Thomas Smith: Anthropocene’ (essay), Photomonitor.

2013.03 ‘Trauma and Memory in the works of Kirk Palmer’ (essay), Photomonitor.

2013.03 Exhibition review of ‘FORMAT13 International Photography Festival’ at QUAD Gallery and Various Venues, Derby, Photomonitor.

2013.02 Exhibition review of Juergen Teller at ICA, London, Photomonitor.

2013.02 Book review of ‘Chateau Despair’ by Lisa Barnard, Photomonitor.

2013.01 Book review of ‘Jeddah Diary’ by Olivia Arthur, Photomonitor.

2012.12 Exhibition review of ‘Seduced by Art: Photography Past and Present’ at The National Gallery, London, Photomonitor.

2012.11 Exhibition review of ‘William Klein + Daido Moriyama’ at Tate Modern, London, Photomonitor.

2012.09 Exhibition review of Jon Rafman at The Saatchi Gallery, London, Photomonitor.

2012.09 Book review of ‘Seeing for Others’ edited by Rut Blees Luxemburg, Photomonitor.

2012.09 ‘Mishka Henner and the Boundaries of Photography’ (essay), Photomonitor.

2012.09 Interview with Eva Stenram, Photomonitor.

2012.09 Book review of ‘The Leaf Peeper’ by Tim Bowditch and Matthew de Kersaint Giraudeau, Photomonitor.

2012.09 Exhibition review of Adam Broomberg & Oliver Chanarin at Paradise Row, London, Photomonitor.

2012.08 Exhibition review of ‘Moments of Reprieve: Representing Loss in Contemporary Photography’ at Paradise Row, London, Photomonitor.

2012.07 Book review of ‘The Present’ by Paul Graham, Photomonitor.

2012.07 Exhibition review of ‘Contemporary Japanese Photobooks’ at The Photographers’ Gallery, London, Photomonitor.

2012.07 Exhibition review of David Claerbout at Parasol Unit, London, Photomonitor.

2012.06 Book review of ‘Critical Dictionary’ edited by David Evans, Photomonitor.

2012.06 Exhibition review of ‘Last and First Men. Towards a New Anthropology’ at Armsden, London, Photomonitor.

2012.05 Exhibition review of ‘Bauhaus: Art as Life’ at the Barbican, London, Photomonitor.

2012.05 Exhibition review of Yaakov Israel at Margaret Street Gallery, London, Photomonitor.

2012.05 Book review of ‘Yangtze- The Long River’ by Nadav Kander, Photomonitor.

2012.05 Exhibition review of Alessandra Sanguinetti at Magnum Print Room, London, Photomonitor.

2012.04 Exhibition review of Stan Douglas at Victoria Miro Gallery, London, Photomonitor.

2012.04 Exhibition review of Sandra Kantanen at Purdy Hicks Gallery, London, Photomonitor.

2012.03 Exhibition review of Edgar Martins at The Wapping Project, London, Photomonitor.

2012.03 Exhibition review of Hisaji Hara at Michael Hoppen Gallery, London, Photomonitor.

2012.02 Exhibition review of Catherine Opie at Stephen Friedman Gallery, London, Photomonitor.

2012.02 Exhibition review of Massimo Vitali at Brancolini Grimaldi, London, Photomonitor.

2012.02 Exhibition review of Saskia Olde Wolbers at Maureen Paley, London, Photomonitor.

2012.02 Exhibition review of Anouk Kruithof at Boetzelaer|Nispen, London, Photomonitor.